Research areas

artistic research (composition, performance-based research)
music pedagogy (music education, technology and teaching)
musicology (ethnomusicology, historical musicology, jazz, music cognition, music theory and analysis, and popular music)
performance practice ( from 17th century till today)

fluteacoustic aspects of flute, alto flute, bass flute and piccolo with particular emphasis on tuning; historical development of the flute)


Books / Articles

1. Glinka, Beata Iwona. 2021.  "Compositional Techniques In View of Interpretation of Brian Ferneyhough’s Flute Music". Kwidzyn: Phasma-Music (ISBN ).
in preparation

2. Glinka, Beata Iwona. 2021. Historia technik współczesnych w wydanych utworach kompozytorów polskich na flet solo.  Kwidzyn: Phasma-Music (ISBN   ). in preparation

3. Glinka, Beata Iwona. 2021. "The role of music in shaping the cultural identity of Greeks in Australia". In CULTURAL STUDIES '21 © DAKAM Publishing (D/PB) April 2021 , İstanbul: ..-.. (ISBN .........). in preparation

4. Glinka, Beata Iwona. 2021. „Podstawy gry na flecie oparte na własnym doświadczeniu praktycznym”. Kwidzyn: Phasma-Music (ISBN   )in preparation

5. Glinka, Beata Iwona. 2021. "Fundamentals of Flute Performance Based on Own Practical Experience". Kwidzyn: Phasma-Music (ISBN   )in preparation

6. Glinka, Beata Iwona. 2021. "History of Contemporary Techniques in Polish Composers' Published Works for Solo Flute ".  Kwidzyn: Phasma-Music (ISBN  ). in preparation

7. Glinka, Beata Iwona2021. „Współczesna muzyka kameralna na flet i klawesyn”. Kwidzyn: Phasma-Music (ISBN  ). in preparation

8. Glinka, Beata Iwona2021. "Contemporary chamber music for flute and harpsichord". Kwidzyn: Phasma-Music (ISBN  ). in preparation

9. Glinka, Beata Iwona, 2021. "Twenty One Concert Studies". Liner Notes for booklet of CD album, 01/2021, Phasma-Music 034 ( UPC: 660989085889).

10. Glinka, Beata Iwona. 2013. "Εργογραφία για σόλο φλάουτο των Ελλήνων συνθετών" (Works for Solo Flute by Greek Composers: notation and performance). Athens: Book Stars (ISBN13 978-9-60571-014-9).

http://www.bookstars.gr/User/BookDetails.aspx?Id=5buTeBJYhjaCj5IL%2bGYSag%3d%3d&CId=siwQBVcHS%2b8%3d




11. Glinka, Beata Iwona. 2014. "The accomplishments of Polish composers in the context of the turbulent politics in the ninetieth  and twentieth century in Poland". In MUSICULT ‘14 Music and Cultural Studies Conference © DAKAM Publishing (D/PB) May 2014 , İstanbul: 61-66 (ISBN 978-605-5120-77-1).
 
12. Glinka, Beata Iwona. 2014. "Casandra’s Dream Song by Brian Ferneyhough: Combination of Myth with Aesthetics of New Complexity" © Athens National and Kaposdistrian University:155-161  (ISBN13 978-960-466-131-2).

http://musicology.mus.auth.gr/wp-content/uploads/2014/03/ConfProc2012.pdf


Conference presentation

1. Glinka, Beata Iwona. 2021. "The role of the flute in an American band music". In 6th International Conference on Greek Wind Orchestras 2021,  University of Macedonia, Department of Music Science and Art, Thessaloniki, 25-27 June.

2. Glinka, Beata Iwona. 2021.  „Casandra's Dream Song Briana Ferneyhougha: połączenie mitu z estetyką nowej złożoności”. In  33rd Krakow International Festival of Composers, Cracow, Poland, 14 April. 

3. Glinka, Beata Iwona. 2021. "The role of music in shaping the cultural identity of Greeks in Australia". In CULTURAL STUDIES '21 / V. International Conference on Cultural Studies hosted by DAKAM (Eastern Mediterranean Academic Research Center) and  organized by BILSAS (Science, Art, Sport Productions), Turkey, 16 April.

4. Glinka, Beata Iwona. 2021. "History of contemporary techniques in Polish composers' works for solo flute". In 2021 Mid-Atlantic Flute Convention, Washington, USA, 19-21 February.

5. Glinka, Beata Iwona. 2016. "Contemporary Chamber Music for Flute and Harpsichord". In 7th Academic Session on Harpsichord in the Contemporary Composers' works, The Fryderyk Chopin University of Music, Warsaw, Poland, 19-20 November.

6. Glinka, Beata Iwona. 2014. "Performer perceptions in music for flute and electronics". In 9th Conference on Interdisciplinary Musicology – CIM14 at Staatliches Institut für Musikforschung (National Institute for Music Research), in Berlin, Germany, 4-6 December.

7. Glinka, Beata Iwona. 2014. “The accomplishments of Polish composers in the context of the turbulent politics in the ninetieth and twentieth century in Poland”. In MUSICULT ‘14 Music and Cultural Studies Conference, hosted by ITU (Istanbul Technical University) / Turkish Music State Conservatory and organised by DAKAM (Eastern Mediterranean Academic Research Center), Turkey, 15-17 May.

8. Glinka, Beata Iwona. 2014. “The influences of the philosophy of Georg Wilhelm Friedrich Hegel in Tristan und Isolde by Richard Wagner”. In  Conference Giuseppe Verdi and Richard Wagner. Two antipodes of music 200 years later, National and Kapodistrian University, Athens, Greece, 21 March.

9. Glinka, Beata Iwona. 2013. “The role of music in shaping the cultural identity of the Greeks in Melbourne”. In 10th International Conference on Greek Research, Flinders University, Adelaide, Australia, 27-30 June.

10. Glinka, Beata Iwona. 2012. “Relations between Music and Language in Greek Flute Solo Music”. In  Conference Music and Language, National and Kapodistrian University, Athens, Greece, 28-29 November.

11. Glinka, Beata Iwona. 2012. “Projection of National Elements vs Globalisation in Greek and Cypriot Flute Solo Music”. In International Greek Music Creation: Identities and Historical Memories, European University, Nicosia, Cyprus, 15-17 November.

12. Glinka, Beata Iwona. 2012. “Casandra’s Dream Song by Brian Ferneyhough: Combination of Myth with Aesthetics of New Complexity ”. In  Conference on Ancient Myths and Music Creation, Aristotle University, Thessaloniki, Greece, 21-22 October.